The city sings a
song of jazz
with
softened saxes and gentle guitars
to
send us gliding around the curves
of
overpasses brunted against the
neon
skyline as the moon rises and ripples
among high frozen notes of clouds
as
the sun plays its final reprise
on
the shaded eyes of skyscrapers
while
the users of the streets
play
musical chairs--
as
some exit, others arrive--
while
many can only march in place.
The
jazz once sang for a swinging happening
at
a fancy club where memories of jet-setters are left
as
ring stains on bars and tables. The fog of
martini-laden nights
croons to us--who were too
young
to be glamourous then.
The
underbelly of the city cannot quieten
the
soulful scats of the lounge singer's echo
from
decade to decade,
cannot
hide the burlesque
that
flowed heavily and rounded, carrying the good and the bad on its River Styx,
cannot
stop the resonance of bullets near a grassy knoll,
cannot
stop the carousel's fillies from going 'round and 'round.
We
stalk the years
that
played all the standards--and set the standards
up
and down the scales of every dweller's heart--
and
we lean wistfully on lamposts,
wishing
for a film noir's moment
with
a saxophone's rising.
26
September 2011
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